Paperback: 68 pages Publisher: G. Schirmer, Inc. (November 1, 1986) Dimensions: 6.75” W x 10.5” H The La Scala première of the 1883 revised version took place on 10 January 1884 in Italian. Your name: Your email: Personal message: Tell a friend (or remind yourself) about this product. 27 Oct 2006 VERDI: Don Carlo. The first production in Naples in 1871 was indisputably a failure.[12][13]. Black and white cover. The monks' leader proclaims that the Emperor was proud but has been humbled though error. Don Carlo, an opera in five acts. At his urging (Aria: "L'Infant Carlos, notre espérance" / "Carlo ch'è sol il nostro amore"), Elisabeth agrees to see the Infante alone. Unaware of this relationship, Eboli infers that she, Eboli, is the one Don Carlos loves. – and leaves. Duets | They say a final farewell, promising to meet again in Heaven (Duet: "Au revoir dans un monde où la vie est meilleure" / "Ma lassù ci vedremo in un mondo migliore"). Frightened and overwhelmed, the King begs the Grand Inquisitor to forget about the past discussion. Eboli replies by hinting darkly that she is a formidable and dangerous foe, with power which Posa does not yet know about. The first Italian version given in Italy was in Bologna in October 1867. That is now known as the "Milan version", while the second—also sanctioned by the composer—became the "Modena version" and was presented in that city in December 1886. Send to email(s): To send to more than one person, separate addresses with a comma. Don Carlos enters with six Flemish envoys, who plead with the King for their country's freedom. The Grand Inquisitor arrives to restore order, bringing Act three to a close. Elisabeth is tired, and wishes to concentrate on the following day's coronation of the King. The opera is most often performed in Italian translation, usually under the title Don Carlo. She reassures the people that her impending marriage to Don Carlos, Infante and son of Philip II, King of Spain, will bring the war to an end, and departs. The opera is most often performed in Italian translation, usually under the title Don Carlo. The first performance in Italian was given at Covent Garden in London in June 1867. – perhaps! It was commissioned and produced by the Théâtre Impérial de l'Opéra (Paris Opera) and given its premiere at the Salle Le Peletier on 11 March 1867. Their laments of suspicion cause the King to realize that he has been wrong to suspect his wife ("Maudit soit le soupçon infâme" / "Ah, si maledetto, sospetto fatale"). Your name: Your email: Personal message: Tell a friend (or remind yourself) about this product. The Inquisitor confirms that the Inquisition will do its duty. When Lerma and his followers confirm this, Elisabeth is devastated but feels bound to accept, in order to consolidate the peace. Finally, two other versions were prepared: the first was seen in Milan in January 1884 (in which the four acts were based on some original French text which was then translated). Don Carlo At the time of Spain’s brutal Inquisition, the king of Spain marries the woman his son loves and sets into motion a tension-filled chain of events. 27 Oct 2006 VERDI: Don Carlo. Bells ring as Elisabeth and Eboli enter. She is a performer. The length was a particular problem, and subsequent performances were generally heavily cut. Don Carlos: Opera in Four Acts (New York: Fred Rullman, 1920). Handwritten notations in old French version in five acts: 11 March 1867, Pari. Following the unsuccessful performance in Naples in 1871, Verdi was persuaded to visit the city for further performances in November / December 1872,[14] and he made two more modifications to the score. [12] For the Rome premiere on 9 February 1868 at the Teatro Apollo, perhaps unsurprisingly, the Papal censor changed the Inquisitor into a Gran Cancelliere (Grand Chancellor) and the Monk/Emperor into a Solitario (Recluse). Later when he learned of the alterations, Verdi was greatly irritated, but Costa's version anticipated revisions Verdi himself would make a few years later in 1882–83.[11]. A short summary trial follows, confirming Carlos's putative culpability. Carlos, terrified, begs for mercy. di Méry e Camillo du Locle ; musica di G. Verdi ; traduzione italiana di Achille de Lauzières. She protests her innocence but, when the King threatens her, she faints. Julian Budden comments that "this was the first complete performance of what could be called the 1866 conception in French with the addition of the ballet. He is fighting well in spite of being outnumbered, when a mysterious figure (the leader of the monks from the earlier scene at the tomb, which is listed here as Act 2 Scene 1 but is usually the opening scene of the opera, since the first act is usually omitted--so the Monk appears only at the very beginning and the very end of most performances and recordings) suddenly emerges from the tomb of Charles V. He grabs Carlos by the shoulder, and loudly proclaims that the turbulence of the world persists even in the Church; we cannot rest except in Heaven. He encourages Carlos to leave Spain and go to Flanders, and to forget his pain by focusing on political activity there. The opera is most often performed in Italian translati… Don Carlo : opera in cinque atti U.S. RISM Libretto Project. Composers | Libretto François-Joseph Mèry e Camille Du Locle dal poema drammatico Don Carlos, Infant von Spanien di Friedrich Schiller. After the ballet had been composed, it emerged during the 1867 rehearsal period that, without further cuts, the opera would not finish before midnight (the time by which patrons would need to leave in order to catch the last trains to the Paris suburbs). Today, as translated into Italian and presented in the Milan and Modena versions, the opera has become part of the standard repertory. Libretto. Don Carlo. Stars Matti Salminen (Flilppo II), Jonas Kaufmann (Don Carlo), Thomas Hampson (Rodrigo/Marchese di Posa), Anja Harteros (Elisabetta di Valois), Ekaterina Semenchuk (La Principessa Eboli), Eric Halfvarson (Il Grande Inquisitore), Robert Lloyd (Un frate/Carlo … This article is about the Verdi opera. The King enters and becomes angry because the Queen is alone and unattended. There are more versions of Verdi’s masterwork Don Carlo or Don Carlos than any other opera one could name from the 19th-century Italian canon. [2] The opera is most often performed in Italian translation, usually under the title Don Carlo. A royal procession follows, and the King addresses the populace, promising to protect them with fire and sword. If you don’t mind hearing Don Carlo in German translation, then this is a must, even if all the singing from the principal artists isn’t consistently effortless. She threatens to tell the King that Elisabeth and Carlos are lovers. As he dies, Posa tells Carlos that Elisabeth will meet him at Saint-Just the following day. Scene 1: Evening in the Queen's garden in Madrid. Doing my own translating does have certain advantages. Send to email(s): To send to more than one person, separate addresses with a comma. Scene 2: In front of the Cathedral of Valladolid. Revised again by Verdi, it was given in Naples in November/December 1872. Your name: Your email: Personal message: Tell a friend (or remind yourself) about this product. Elisabeth enters. Alone and suffering from insomnia, the King, in a reverie, laments that Elisabeth has never loved him, that his position means that he has to be eternally vigilant and that he will only sleep properly when he is in his tomb in the Escorial (Aria: "Elle ne m'aime pas" / "Ella giammai m'amò"). Carlos, coming out from hiding, has seen Elisabeth and fallen in love with her (Aria: "Je l'ai vue" / "Io la vidi"). Don Carlo accuses the King of his murder, and the mob breaks into the prison to demand his release. 15–16, reinforces this with details of the play. Don Carlos by Giuseppe Verdi, 1992, Calder Publications, Riverrun Press edition, in English Handwritten notations in old Singers' names not given. Paper ephemera collectible. [7], Poster depicting the death of Rodrigo in the King's presence. The King and the Inquisitor recognize the Monk's voice: he is the King's father, Charles V, who was believed dead. Although he thinks this is from Elisabeth, it is really from Eboli. The BBC Concert Orchestra under John Matheson broadcast the opera in June 1973 with the roles of Don Carlos sung by André Turp, Philippe II by Joseph Rouleau, and Rodrigue by Robert Savoie. Don Carlo. No other Verdi opera exists in so many versions. This is the only portion of the entire opera that was ever composed by Verdi to an Italian rather than a French text. Libretto - versione in 5 atti * = required. Send to email(s): To send to more than one person, separate addresses with a comma. Charles Mackerras conducted this five-act version (complete with Verdi's original prelude, the woodcutters' scene and the original ending) in an English translation for English National Opera at the London Coliseum in 1975. The Artist and the Fly. There are more versions of Verdi’s masterwork Don Carlo or Don Carlos than any other opera one could name from the 19th-century Italian canon. Libretto - versione in 5 atti * = required. The blind, ninety-year-old Grand Inquisitor is announced and shuffles into the King's apartment. Aside, Posa resolves to save Carlos, though it may mean his own death. In addition, it has been noted by David Kimball that the Forest of Fontainebleau scene and auto-da-fé were the most substantial of several incidents borrowed from a contemporary play on Philip II by Eugène Cormon". S'ode suonar una campana. Operas | Paper ephemera collectible. Music publication. Don Carlo, an opera in five acts. Home | We'll instantly send an email containing product info and a link to it. [3] These were a duet for Elisabeth and Eboli in Act 4, Scene 1; a duet for Carlos and the King after the death of Posa in Act 4, Scene 2;[4] and an exchange between Elisabeth and Eboli during the insurrection in the same scene. The Italian premiere on 27 October 1867 at the Teatro Comunale di Bologna, conducted by Verdi's close friend Angelo Mariani, was an "instant success", and this version, although produced in Verdi's absence, was more complete and included the ballet. His suspicions are insulting to her. To avoid the divertissement planned for the evening, she exchanges masks with Eboli, assuming that thereby her absence will not be noticed, and leaves. I frati escono dalla cappella, traversano la scena e si perdono nei corridoi del chiostro) I. Scena seconda Don Carlo, il Frate tuttora in preghiera Monks pray before the tomb of the former Emperor Charles V ("Carlo Quinto"). [17], Although Verdi had accepted the need to remove the first act, it seems that he changed his mind and allowed a performance which presented the "Fontainebleau" first act along with the revised four-act version. Don Carlo - 1872 : Giuseppe Verdi 1813 - 1901 : Libretto by Camille du Locle, Joseph Méry : First performance at Teatro San Carlo, Naples in 1872 : Italian libretto - Spanish translation: Upcoming Performances: Top Don Carlos is a five-act grand opera composed by Giuseppe Verdi to a French language libretto by Camille du Locle and Joseph Méry, based on the dramatic play Don Carlos, Infant von Spanien ("Don Carlos, Infante of Spain") by Friedrich Schiller. The story is based on conflicts in the life of Carlos, Prince of Asturias (1545-1568), after his betrothed Elisabeth of Valois was married instead to his father Philip II of Spain as part of the peace treaty ending the Italian War of 1551-1559 between the Houses of Habsburg and Valois. The King calls for help but the guards will not attack Don Carlos. Send to email(s): To send to more than one person, separate addresses with a comma. Kimbell 2001, in Holden p. 1002. Don Carlo. Other “Don Giovanni” libretti • Italian • English ... libretto by Lorenzo Da Ponte: libretto by William Murray, 1961 . About Chandos. A shadowy figure appears--one of the Grand Inquisitor's assassins--and shoots Posa in the chest. Don Carlo. Don Carlo was a key opera on the way to the musical dramas of Falstaff and Otello. Filippo’s hold on the throne is hanging by a thread, as he struggles to quell the rebellion. S'ode suonar una campana. Posa arrives and tells Carlos that he (Posa) has saved Carlos from being executed, by allowing himself (Posa) to be incriminated by the politically sensitive documents which he had obtained from Carlos earlier (Aria, part 1: "C'est mon jour suprême" / "Per me giunto è il dì supremo"). De Van, Gilles (trans. Joseph Méry, and Camille du Locle. Prima rappresentazione Prima versione [5 atti]: 11 marzo 1867, Parigi (Opéra) At that moment, the King enters, offering his son freedom, as Posa had arranged. She departs for Spain, leaving Carlos equally devastated. Performance in memory of Mirella Freni and Nicolai Ghiaurov, great interpreters of Don Carlo and beloved citizens of Modena. When he sees Eboli's face, he realizes his error and recoils from her. In return for his support, the Inquisitor demands that the King have Posa killed. Used Price: $2.79. Posa replies that Carlos is innocent, and offers to watch Elisabeth and to be responsible for her good behavior. Stagings and broadcasts of the original five-act French version of the opera have become more frequent in the later 20th and into the 21st century. Singers | In addition, it has been noted by David Kimball that the Forest of Fontainebleau scene and auto-da-fé were the most substantial of several incidents borrowed from a contemporary play on Philip II by Eugène Cormon". Privacy | Budden, pp. [6] Despite a grandiose production designed by scenic artists Charles-Antoine Cambon and Joseph Thierry (Acts I and III), Édouard Desplechin and Jean-Baptiste Lavastre (Acts II and V), and Auguste Alfred Rubé and Philippe Chaperon (Act IV), it appears to have been a "problem opera" for the Opéra—it disappeared from its repertoire after 1869. Libretto - versione in 4 atti * = required. Don Carlos mistakes her for Elisabeth in the dark, and passionately declares his love. Arias | This version of the opera was first performed in Milan at La Scala on 25 March 1868, and prestige productions in most other Italian opera houses followed, but it did not become a popular success. We'll instantly send an email containing product info and a link to it. After Elisabeth exits, Eboli, left alone, curses her own beauty and pride, and resolves to make amends by trying to save Carlos from the Inquisition (Aria: "O don fatal" / "O don fatale"). About Us; Chandos Records is one of the world's premier classical music record companies, best known for its ground … Oopperan libreton ovat laatineet Joseph Mery ja Camille Du Locle Friedrich Schillerin näytelmän Don Karlos, Infant von Spanien pohjalta. He steps forward and defuses the situation by taking Carlos' sword from him. Preparations are being made for an auto-da-fé, the public parade and burning of condemned heretics. YouTube subtitles in Italian and English. Libretto by Joseph Méry and Camille du Locle from Don Karlos, Infant von Spanien by Friedrich Schiller Italian translatoin Achille De Lauzières e Angelo Zanardini. Vintage Official Opera Libretto Don Carlo Old Script Music Publication Orchestra Ballet Paper Ephemera PanchosPorch Vintage Official Opera Libretto. Enraged, Carlos draws his sword against the King. Libretto by Joseph Méry and Camille Du Locle after Friedrich von Schiller’s dramatic poem Don Carlos, Infant von Spanien.French text revised by Du Locle, Italian translation by Achille de Lauzières and Angelo Zanardini. Don Carlos (1867) Opera in five acts, French Libretto: Joseph Méry and Camille Du Locle on Schiller’s dramatic poem ‘Don Carlos, Infant von Spanien’ (1785-86) 1867 Paris version sung in French and complete with music unused at the first production Don Carlo (Roberto Alagna), the Spanish crown prince, and Elizabeth of Valois (Marina Poplavskaya), daughter of the King of France, fall in love, only to be torn apart by international politics when Carlo’s father, King Philip II (Ferruccio Furlanetto), decides to marry Elizabeth himself.